New normal world

May 27

(Source: winnipegsummer, via estomago)

May 26

(Source: time2die, via yuruyurau)

biscodeja-vu: Ameoba Shell.

biscodeja-vu:

Ameoba Shell.

(via yuruyurau)

black-and-white: (by ashley oostdyck)

black-and-white:

(by ashley oostdyck)

(via theanimalblog)

(Source: raccoonology, via yuruyurau)

(Source: replicants, via yuruyurau)

nemoi: Electric Brain (via mikecogh)

nemoi:

Electric Brain (via mikecogh)

May 25

rhea137: Hurley, Frank (1885-1962), The morning after the first battle of Passchendaele [Passendale] showing Australian Infantry wounded around a blockhouse near the site of Zonnebeke Railway Station, 12 October 1917. “Hurley served alongside George Hubert Wilkins as the first official photographer to the Australian Imperial Forces in the First World War. The troops dubbed him the ‘mad photographer’ because of his derring-do to get pictures. He took some of the only known colour photos of the war. … [This photograph] is a striking example of Hurley’s use of composite printing, wherein he fuses a divine sunlight. While Hurley believed his manipulation of images helped capture the reality of battle, the influential war correspondent and historian, Charles Bean, accused them of being fakes.” (Source.)

rhea137:

Hurley, Frank (1885-1962), The morning after the first battle of Passchendaele [Passendale] showing Australian Infantry wounded around a blockhouse near the site of Zonnebeke Railway Station, 12 October 1917.

“Hurley served alongside George Hubert Wilkins as the first official photographer to the Australian Imperial Forces in the First World War. The troops dubbed him the ‘mad photographer’ because of his derring-do to get pictures. He took some of the only known colour photos of the war.

… [This photograph] is a striking example of Hurley’s use of composite printing, wherein he fuses a divine sunlight. While Hurley believed his manipulation of images helped capture the reality of battle, the influential war correspondent and historian, Charles Bean, accused them of being fakes.” (Source.)


(Source: the-seed-of-europe)

rhea137: Space Teriyaki 5 - Visions of space and the future in Japan in the 70s and 80s. Masao Minami, early 70s

rhea137:

Space Teriyaki 5 - Visions of space and the future in Japan in the 70s and 80s.

Masao Minami, early 70s

(Source: darksilenceinsuburbia)

Bénigne GAGNERAUX - “Bacchanal” (late XVIIIth century)

Bénigne GAGNERAUX - “Bacchanal” (late XVIIIth century)

(Source: kirgiakos)